所以说这还是当成超英漫改电影比较说得过去鬼灭之刃主要就是完成joker的origin story独立出来看这剧作其实是很不平衡的在social commentary上下功夫太少街头暴力呈现得徒有其表joker个人的故事也根本没同阶级问题真正结合起来eat the rich的sentiment没多少说服力最蠢是后面要让joker慷慨演说发表中心思想这倒是挺符合超英电影特点的(就算我没看过多少猜也能猜到)本质上叙事是弱的动作戏才是重头另Joker的反抗完全是私人复仇性质的残忍弑母更说明这样的暴力是盲目而自私的好意思把这同阶级斗争同团结所有受苦难同胞的左翼意识联系起来的那都是非蠢即坏
七里八里:171.12.7.218
When I behold, upon the night’s starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows with the magic hand of chance (John Keats) // isn't it awful about people meaning to be kind // I believe we should all behave quite differently if we lived in a warm, sunny climate all the time. We shouldn't be so withdrawn and shy and difficult. // Thank you for coming back to me. // 两个视角回顾两人最后离别的场景女主情绪很饱满优秀的打光和构图
A+. Like all the Taylor Swift songs rolled into one. 火车是多么完美的意象在强调即逝性本质的同时又以重复的场景和变化的状态承载爱起起伏伏的各种面向如此简单又如此包罗万象文本先行的同时也将视觉空间与人物的心理融合(结尾的倾斜构图、闪回时现实与回忆的叠印)而即便通常抗拒依赖画外音的叙事可当内心剖白将爱揉成如此细碎而敏锐的千万种感觉又怎能抵挡语言巨大的力量